In a Nutshell
- Recommended: Yes
- For: Everyone
Still the best way for a first-viewer to catch the silent movie bug. Scholarly enough for long-time fans and light enough for newcomers.
A loving defense of silent film filled with pictures, interviews and anecdotes. Don't leave home without it.
Availability
The Parade's Gone By... is still in print and available both new and used from Amazon.
The Parade's Gone By...
Kevin Brownlow
Copyright 1968, 1976
University of California Press
Paperback, 577 pages
An ideal starting point
To a newcomer, the world of the silent film can be daunting. So many stars, directors and films, the names of which are rarely breathed outside of film school.
When I first caught the silent movie bug, I wanted a book that would be light enough to entertain but which would still give a rich history of the silent era.
The Parade's Gone By... makes it onto most people's must-read list for silent films and for good reason. Brownlow had enviable access to the stars of the era when many of them were still alive. He also has a gift for describing films in such a way that you don't just want to see them, you would kill to see them.
The title of the book was taken from a brush-off given to a silent veteran when he tried to correct a younger filmmaker's portrayal of the era. When The Parade's Gone By... was first published, silent films were decaying in vaults, neglected by all but a few dedicated scholars and fans. As a result, the book tends to take a defensive tone.
Silent cinema has been enjoying a renaissance of sorts but the value of the book has not diminished. The first-hand accounts from such diverse people as Louise Brooks, Edward S. Sloman, Geraldine Ferrar and Mary Pickford create an image of a lively, fun time in the film industry. A time well worth preserving
Of course, for a book to cover every star and major film of the era, it would have to be encyclopedia size and, obviously, there are a few omissions. Clara Bow, for example. And, rather than monotonous chronological order, the book is cut into easily-readable sections, interspersing interviews with articles on filmmaking techniques of the era.
The result is a book that is candid without being catty, technical without being dry; nostalgic yet realistic.
In short, the ideal beginner's book. Highly recommended.